Fresco Painting Workshop - Student page

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View Pictures From Our Recent Workshop

Our goal is to see Fresco being painted in every town!


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SHOWCASE

Albuquerque Fresco by Ilia Anossov

Albuquerque Fresco

The Albuquerque Fresco by Ilia Anossov is a paradigm of a brilliant modern fresco. Its technique is on the Grande scale, 23 ft by 19ft. Viewing it is reminiscent of watching a gigantic film, for this fresco incorporates not only cinematic techniques, and reminders of the most brilliant cartoon art, but also resounds of the painting of late modern artists with a flair for whimsy, like Jean Miro, and Paul Klee...

more Albuquerque Fresco by Ilia Anossov

 

  • Welcome to our workshop program. Learn from Ilia Anossov - one of the few recognized monumental Fresco Painting experts now living in the USA.

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At our Fresco Workshop You will learn:

Step by step tutorial on preparation for Fresco. We will guide You through development of the concept and design, building composition based on giornatas, calculating the time and steps, ordering material.
Developing of the Cartoon and making tracings. From concept sketch and color rendering to full scale Cartoon and color study. Finalizing giornatas layout and making tracings.  
Wall preparation. Plaster selection and application. Sand and lime mixtures. Humidity control and moisture. Tools and equipment. Tips from master-plasterer Ian Hardwick.
Pigment selection and color preparation. Pigment grinding and storing ground base colors. Use of white and monitoring mixed colors during painting. Tools and equipment.
Painting and joining giornatas. Steps in painting.  Morning, midday, evening differences. "Golden Hour" and drying challenge. Plaster behaviors and planning of the painting day.
Materials for Fresco. Where and how to find and buy fresco supplies. Lime, pigments, brushes, etc. On-line ordering.

After the workshop it's not going to end! 

  • The whole workshop will be videotaped.  Each student will get a complimentary copy as a valuable refresher of the workshop experience. You can also request that a personalized video will be taken of your own individual workshop experience.  Good for professionals and individuals interested in promoting their career. Separate charge may apply.

  • Each workshop student will get a free showcase page at www.truefresco.com, the most definitive Contemporary Fresco Painting resource on the global internet, averaging 200,000 page-views per month in 2001.

  • Students in our Fresco workshop program may also qualify for our personalized artist development program, which includes phone consultations, extended on-line presentation, participation in studio projects, exhibitions and more.

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FROM FRESCO GAZETTE

June 08 - from the world fresco news
europaconcorsi - 6/30/08 Painting for Eternity. The Tombs of Paestum With its three large Doric temples, Paestum became a well-known site early on thanks to engravings by Piranesi (1777/78) and Goethe's impressive descriptions in his Italienische Reise (1787). However, many people are unaware that Paestum contains one of the greatest treasure troves of ancient fresco paintings: During excavations in the 1960s, around 200 richly painted tombs from the Lucanian period (4th century B.C.) were discovered. The Martin-Gropius-Bau dedicates an exhibition to these rare examples of ancient tomb art. Around 45 painted tomb slabs of the Museo Archeologico Nazionale di Paestum will be shown at the exhibition in Berlin, including seven complete tombs. ---------------------------------------------------------------------- Idaho Statesman - 06/29/08 How are things going at the Capitol? Thousands of square feet of wall space in the Capitol are covered with distemper. More familiar as canine affliction, distemper is also a decorative technique dating back to ancient Egypt. Some call it "the poor man's fresco." Rich men had the real thing, like da Vinci's "Last Supper," where the artist mixed pigment with water, or egg on plaster ---------------------------------------------------------------------
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Hockney's Pool Restoration at Hollywood Roosevelt Hotel
David Hockney made a mural at the bottom of the pool of the Hollywood Roosevelt Hotel that graced the guests as they were enjoying the wonderful outdoor climate, swimming, and gazing out at the water. There was always a possibility to catch a glimpse of a Hollywood "A- lister" enjoying the comfortable environment along with the guests. Over time, the paint has been deteriorated by the chemicals of the water and the constant contact of the guests rubbing up against the floor and walls. The vibrant blue marks went from being the focal point of the view to being minor stains at the bottom of the pool. The artists of iLia Anossov Design (iLAdesigns.com) have become the saviors of many historical murals all around Los Angeles.
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Art stirs debate - the color of Jesus.
ART: Students walk past the 40-foot-tall mural of Jesus at Biola University in La Mirada on Thursday May 15, 2008. The planned refurbishing of a 40-foot mural of Jesus, called "The Word" has reignited a controversy on campus. Some say it should be allowed to fade away out of existence, while others say the artwork should be preserved. (Staff Photo by Keith Durflinger)
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By the People, For the People at the Weisman
Thousands of artists received funds through the Works Progress Administration and other New Deal programs during the 1930s and early 1940s. Some of the artists became household names--Dorothea Lange, Edward Weston, and Cameron Booth, to name a few. Many others did not, but their work became part of the fabric of American culture in the form of post-office murals and handicrafts. By the People, For the People: New Deal Art at the Weisman offers up the full spectrum of work from this era.
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Kent Twitchell reflects on a recent settlement and vandalism
strother_martin_kent_twitchell.jpg Strother Martin Monument 1972, artist Kent Twitchell Reading through some of the blogs responding to the LA Times story I see that there is still some misunderstanding about the graffiti issue. I only oppose spray paint when it is used to cover over murals or other public art. That is called vandalism and that alone is the reason "we cannot coexist" as I was correctly quoted as saying in the Times. It is the reason LA is no longer the mural capital. Once there were 2 - 3 thousand murals here and every one has been destroyed by spray paint. Either they were painted out because the vandalism became such a blight or they are still out there covered with spray paint and therefore just waiting to be coated over with beige paint.
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