NATIONWIDE FRESCO PAINTING WORKSHOP PROGRAM

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Our Goal is to see Fresco being painted in every Town!
The Artist could be YOU!


 

   

Fresco Painting Workshop education resource "...I was absolutely inspired, both from the fresco medium itself, and also from seeing your work, and you and your team in action. Thanks again for a great experience.Learn Plaster. Sand and lime mixtures. Humidity control and moisture. Scratch, rough, float, arriccio, intonaco and more...

Prepare Cartoon and do the transfer. Study multiple giornata composition design.



Work with pigments and color. Prepare your own Fresco Palette!

Paint you own Fresco! Learn hands-on about painting on wet plaster and experience the "Golden Hour"!

   
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To learn more about our program and get started -----      ENTER HERE!


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FROM FRESCO GAZETTE

June 08 - from the world fresco news
europaconcorsi - 6/30/08 Painting for Eternity. The Tombs of Paestum With its three large Doric temples, Paestum became a well-known site early on thanks to engravings by Piranesi (1777/78) and Goethe's impressive descriptions in his Italienische Reise (1787). However, many people are unaware that Paestum contains one of the greatest treasure troves of ancient fresco paintings: During excavations in the 1960s, around 200 richly painted tombs from the Lucanian period (4th century B.C.) were discovered. The Martin-Gropius-Bau dedicates an exhibition to these rare examples of ancient tomb art. Around 45 painted tomb slabs of the Museo Archeologico Nazionale di Paestum will be shown at the exhibition in Berlin, including seven complete tombs. ---------------------------------------------------------------------- Idaho Statesman - 06/29/08 How are things going at the Capitol? Thousands of square feet of wall space in the Capitol are covered with distemper. More familiar as canine affliction, distemper is also a decorative technique dating back to ancient Egypt. Some call it "the poor man's fresco." Rich men had the real thing, like da Vinci's "Last Supper," where the artist mixed pigment with water, or egg on plaster ---------------------------------------------------------------------
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Hockney's Pool Restoration at Hollywood Roosevelt Hotel
David Hockney made a mural at the bottom of the pool of the Hollywood Roosevelt Hotel that graced the guests as they were enjoying the wonderful outdoor climate, swimming, and gazing out at the water. There was always a possibility to catch a glimpse of a Hollywood "A- lister" enjoying the comfortable environment along with the guests. Over time, the paint has been deteriorated by the chemicals of the water and the constant contact of the guests rubbing up against the floor and walls. The vibrant blue marks went from being the focal point of the view to being minor stains at the bottom of the pool. The artists of iLia Anossov Design (iLAdesigns.com) have become the saviors of many historical murals all around Los Angeles.
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Art stirs debate - the color of Jesus.
ART: Students walk past the 40-foot-tall mural of Jesus at Biola University in La Mirada on Thursday May 15, 2008. The planned refurbishing of a 40-foot mural of Jesus, called "The Word" has reignited a controversy on campus. Some say it should be allowed to fade away out of existence, while others say the artwork should be preserved. (Staff Photo by Keith Durflinger)
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By the People, For the People at the Weisman
Thousands of artists received funds through the Works Progress Administration and other New Deal programs during the 1930s and early 1940s. Some of the artists became household names--Dorothea Lange, Edward Weston, and Cameron Booth, to name a few. Many others did not, but their work became part of the fabric of American culture in the form of post-office murals and handicrafts. By the People, For the People: New Deal Art at the Weisman offers up the full spectrum of work from this era.
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Kent Twitchell reflects on a recent settlement and vandalism
strother_martin_kent_twitchell.jpg Strother Martin Monument 1972, artist Kent Twitchell Reading through some of the blogs responding to the LA Times story I see that there is still some misunderstanding about the graffiti issue. I only oppose spray paint when it is used to cover over murals or other public art. That is called vandalism and that alone is the reason "we cannot coexist" as I was correctly quoted as saying in the Times. It is the reason LA is no longer the mural capital. Once there were 2 - 3 thousand murals here and every one has been destroyed by spray paint. Either they were painted out because the vandalism became such a blight or they are still out there covered with spray paint and therefore just waiting to be coated over with beige paint.
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